Photographs from the Evangelical Association, precursor to the United Methodist Church
[Breyfogel, Seneca P. (1823 – 1884)]. Photo album, c. 1860 to 1880. 5 ½ x 7 ¼ inches, decorative calf binding. The album contains 73 images, six of which are tintypes. The rest are cartes-de-visite with backstamps of Pennsylvania photographers verso. Most photographs are identified in margins by a later hand. There are some empty spaces to the album, and two pictures that have been labeled are missing but appears to be largely complete. Heavy wear to album; binding cracked, with several signatures loose.
A collection of scarce images compiled we believe by Rev. Seneca Breyfogel, including images of the first bishops and other early members of the Evangelical Association, which over time would give rise to the United Methodist Church.
The album opens with the founding bishops of the Evangelical Association. There are CDVs of paintings of Jacob Albright (1759 – 1808) and Bishop John Seybert (1791 – 1860). There is a very striking late photographic portrait of Joseph Long (1800 – 1869). John Jacob Esher (1823 – 1901), whose allegedly despotic behavior would lead to a schism in the church in 1890, is represented by no fewer than three early photographs. Pictures of these founding bishops of the United Methodist Church are very rare indeed. There is also a photograph of the first church of the Evangelical Association, built in New Berlin, Pennsylvania in 1818.
The album continues with portraits of the family of Seneca Breyfogel, including his wife, parents, and children including Sylvanus C. Breyfogel (1851 – 1934), who was so close to the annotator that his pictures are not identified. Most of the men display what one family historian called the “Breyfogel look – dark complexions, with dark hair and eyes … thick and wide sloping shoulder and black beards. … The women were what might be expected in their female counterparts. They were not paragons of soft, feminine beauty, but at 50, they looked about as they did at 25.”
Raised on the family farm in Kutztown, Seneca Breyfogel moved to Reading to work in the coal business, at which he reportedly was highly successful. It was there evidently that he encountered the Evangelical Association, whose Salem Church in Reading had been established in 1843. Breyfogel abandoned his vocation to pursue his calling. Licensed in 1859, he rose to become an important figure in the Evangelical Association. He organized the Immanuel Church as an exclusively English-language congregation (the Salem Church conducted its services in German), holding services in his house until constructing a separate edifice on Chestnut Street in Reading – the first of four constructed under his superintendence. Received into the itinerancy, he took responsibility for a circuit in eastern Pennsylvania before widening his responsibly even further to Morristown, Port Carbon, Tamaqua, and Easton, where he presided over successful revivals. “His influence as a preacher and pastor is felt to-day on every charge where he labored,” wrote his eulogist. “Many pious men and women thank God for his life, and for his private and public ministrations.”
Rev. Breyfogel’s son Sylvanus was licensed to preach in 1873 and elevated to the rank of elder in 1877. As author, editor of the Evangelical Messenger, and educator, he became a leading figure in the Evangelical Association. His history Evangelical Landmarks (1888) is one of the standard sources on the denomination. He was elected bishop in 1891, and led the Schuylkill Seminary (later the Evangelical School of Theology), later incorporated into Albright College. The seminary’s major building (now Teel Hall at Albright) was dedicated in 1929 in his honor. Bishop Breyfogel is also memorialized in the name of the Chapel at the United Theological Seminary.
In addition to these luminaries of the church, the album contains other portraits of interest. Seneca Breyfogels’s cousins went to California to mine gold and one, Charles C. Breyfogel, achieved such wide notoriety for first finding then losing a rich deposit that “Breyfogeling” became a synonym for prospecting. Other relatives fought in the Civil War, and there are several portraits here of men in uniform. There are several early photographs of Dr. Charles Wesley Breyfogel (1841 – 1895), another cousin who emigrated to California. Trained as a homeopathist, he thrived as a business and civil leader in San Jose. There are a number of other photographs we have not identified.
Most intriguing is a portrait of an unidentified elderly African American woman dressed in a manner associated with the Wesleyan Holiness tradition. The photograph bears the stamp of W[illiam] R. Mortimer of Pottstown, Pennsylvania. Pottstown had a small Black population, but it was a hotbed of abolitionist sentiment and hosted a stop on the Underground Railroad. Mortimer’s 1861 photograph of Nicholas Biddle, a Union soldier who had the dubious honor of being the first soldier to be wounded in the Civil War, was the first commercially sold portrait of an African American. The woman here depicted may have been a member of the African Union Church of South Coventry, which in 1856 amalgamated with the AME church. There were close ties between the Bethel AME church in Reading and that in Pottstown. This photograph suggests the involvement of the Breyfogel family. As Behney and Eller note, the Evangelical Association was noted for its anti-slavery stance. “The slave question led to a bitter struggle in the church,” they write, “not between anti-slavery and pro-slavery members, but between extreme anti-slavery people or abolitionists and anti-slavery people who hoped to have the national issue eventually settled amicably.”
The pictures are identified by a later hand, probably that of Rev. Breyfogel’s daughter Ellen (1855 – 1937), who married the bookseller James W. Miller (1851 – 1947). The Millers lived with Rev. Breyfogel and his wife – they appear together in the 1880 census. Internal evidence suggests that this album was passed down through the family of the Millers’ first son, Ralph (1880 – 1953).
An important resource for the early history of the United Methodist Church.

Selected References
- Behney, J. Bruce and Paul H. Eller, The history of the Evangelical United Brethren Church. Nashville, Abingdon, 1979.
- Blockson, Charles. African Americans in Pennsylvania: a history and guide. Baltimore, MD : Black Classic Press, 1994.
- Breyfogle, Lewis W., What I know about the Breyfogle family; through the first five generations in America. Chanute, Kansas: Lewis D. Breyfogle, 1963
- Breyfogel, Sylvanus C. Landmarks of the Evangelical Association. Reading, Pa., 1888
- Evangelical messenger. Evangelical album: issued as a premium for our weekly church organs, the Evangelical Messenger and der Christliche Botschafter for the year 1895. Cleveland, Oh: Thomas & Mattill, 1894.
- Gingrich, F. Wilbur and Eugene Howard Barth. A history of Albright College, 1856-1956. Reading, Pa.: Albright College, 1956.
Product tabs
$0
$1,750
Earn 0Reward points
Recommend this product

Photographs from the Evangelical Association, precursor to the United Methodist Church
Related products
Gettysburg Veterans from Dutchess County, New York
TIPTON, William H. (1850-1929). Dedication of the 150th New York Monument, Sept 17th 1889. Original photograph (11 x 16¼ in.) mounted on cardstock (1...
view details
$1,250
View details
$4,500
Practica criminalis canonica: Sixteenth Century Legal Notes on Sodomy
DIAZ DE LUCO, Juan Bernal (1495-1556). Practica criminalis canonica, in qua omnia ferè flagitia, quae à clericis committi possunt, cum eorum poenis d...
view details
$4,500
View details
$850
Robert A. Heinlein’s Cold War manifesto and the origins of Starship Troopers
Heinlein, Robert A. (1907–1988) and Virginia Heinlein (1916–2003). Who are the heirs of Patrick Henry? Stand up and be counted! [Colorado Springs, Col...
view details
$850
View details
$18,500
The Megillah and the English Civil War: a seventeenth century allegorical needlework
“B.W.” Esther before Ahasuerus. England, circa 1625-1649. 8 ¾ x 13 in (sight), 17 x 21 ¼ in (framed). Embroidered panel in colored silks with Ahasueru...
view details
$18,500
View details
$650
Visionary designs for a Manhattan Project
[VASSILIEVE, Nicholas (1875-1958)] New York City Planning Commission. A Plan for Manhattan Civic Center and related improvements. [New York, 1948]. 29...
view details
$650
View details
$250
Monopol: American-Israeli Gamesmanship
Monopol (Ramat-Gan: Hagal-Hachadash, 1972) 15 x 9.5 x 2 inch. Some light foxing to property cards, else a fine, unused set in original box, with the g...
view details
$250
View details
$3,750
Jonathan Edwards. Two Dissertations. First edition. (1765)
Edwards, Jonathan (1703 – 1758). Two dissertations: I. Concerning the end for which God created the world. II. The nature of true virtue. Boston: Prin...
view details
$3,750
View details
$850
A die-cut advertisement for Josephine Baker's Paris Mes Amours (1959)
[Baker, Joséphine (1906-1975)] Paris Mes Amours. Paris: L'Olympia / RCA Records, 1959. Die-cut counter advertisement, irregularly shaped: about 48.5 x...
view details
$850
View details
$95
Jazz monologues signed by Civil Rights artist Tracy Sugarman
Sugarman, Tracy (1921 – 2013) and George T. Simon (1912 – 2001), The Feeling of Jazz. New York: Simon & Schuster, 1961. First edition. 4to. Very g...
view details
$95
View details
$8,500
Marcel Pagnol's draft for the unpublished screenplay of Carnaval (1953)
Pagnol, Marcel (1895–1974). Dardamelle, 1953. Manuscript, about 90 pages in a school notebook dated 4 January 1953. This is very much a working manusc...
view details
$8,500
View details
$1,250
Take Me Out to the (Other) Ball Game!
Providence Cricket Club. Team Photograph, 1909 Season. Large photograph (10½ x 13½ in.) mounted on cardstock to 15¾ x 20 in. The backing is in rather...
view details
$1,250
View details
$7,500
Thomas Jefferson, Observations sur la Virginie (1786), first edition in original binding
Jefferson, Thomas. Observations sur la Virginie, par M. J***, Traduites de L'Anglois [by abbé André Morellet]. Paris: Chez Barrois l'ainé, Paris, 1786...
view details
$7,500
View details
$850
Rhode Island minstrel
Banks, Gus [George Ellery Crandall] (1864-1914). Coleman and Heagler Minstrels. Gus Banks, Monologue Artist, Comedian. Cincinnati: Donaldson Litho Co....
view details
$850
View details
The original art for A Dark Adapted Eye by Barbara Vine / Ruth Rendell, winner of the Edgar Award
$2,250
$2,250
The original art for A Dark Adapted Eye by Barbara Vine / Ruth Rendell, winner of the Edgar Award
Sciacca, Thomas; Ruth Rendell (1930 – 2015). A Dark-Adapted Eye, 1986. Acrylic on Masonite. 13 ¾ x 11 ½ in. (central image: 11 ½ x 8 ½ in.). Some soil...
view details
$2,250
View details
$11,500
An 1850 Portrait of a Maryland woman by the son of her enslavers
Gilliams, John Jacob (1831–1911), Portrait of Aunt Sukey, St. Mary County, Maryland, circa 1850. Watercolor on paper, 11½ x 7¼ inches. Paper foxed, wi...
view details
$11,500
View details
$1,950
Bartolomeo Pinelli. Roman costumes (1817). The Italian Origins of British Romanticism
Pinelli. Bartolomeo. Roman Costumes: Nuova raccolta di cinquanta costumi pittoreschi incisi all'acquaforte, da Bartolomeo Pinelli. Roma, Giovanni Scud...
view details
$1,950
View details
$1,250
Consumer culture, art, and subjectivity in Kazimierzowo, Chicago
Porembski, Olga V. (1924-2011). Rose Rosinski and Bruno Zidek, April 11, 1942. 96 leaves, 11½ x 14 in. (29 x 26 cm.) Homemade scrapbook comprised pri...
view details
$1,250
View details
$0
Imprisoned with the dead: the only recorded copy of an American penny dreadful
[Harrison, Monroe Burt (?)]. Imprisoned with the dead, or the fate of Count Bluebeard's wives, an interesting story from the personal experiences of d...
view details
$0
View details
$1,500
Harvard College alumni register, annotated by Isaiah Thomas (1803)
Harvard University. Catalogus eorum qui in Universitate Harvardiana, Cantabrigiae, in republica Massachusettensi ab anno MDCXLII, ad annum MDCCCIII, a...
view details
$1,500
View details
$2,750
The origins of "Sinn Féin": Thomas S. Cleary's allegory of Irish independence
[Cleary, Thomas Stanislaus (1851–1898)]. Shin Fain; or ourselves alone: a drama of the exhibition, by Tom Telephone, pseud. Dublin: James Duffy and So...
view details
$2,750
View details

































